When the acclaimed soprano Lise Davidsen took the stage to sing her first performance of Giacomo Puccini’s “Tosca” at the Metropolitan Opera last week, it recalled a halcyon age: the early part of the 20th centuryvvjl, when opera as a public art for
Opera’s job is to show us what’s biggerskygaming777, wilder and more intense than ordinary life. It’s a terrarium in which we watch a condensed version of ourselves, with more ecstatic loves and more savage suffering. It’s no secret that a dispropor
Patrick Summersjackpot city casino, a veteran conductor who over the past 26 years has helped turn Houston Grand Opera into one of most innovative companies in the United States, will leave his post in 2026, the company announced on Wednesday. Summe
The Metropolitan Opera’s season began not with a bang or a whimpersuperace88, but with a boom. In “Grounded,” Jeanine Tesori and George Brant’s new work about a fighter pilot turned drone operator, which opened the season last week, a group of soldi